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Is writing philosophy worth it?
It's hard and time consuming...

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Is writing philosophy worth it?
Sean McHugh
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Posted 08/10/08 - 10:34 PM:
Subject: Is writing philosophy worth it?
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#1
Hi. I'm wondering if you have any thoughts on the rewards and difficulties of writing essays and projects. I finished a bachelors in philosophy 11 years ago and did a masters in music among other courses, but my overriding interest is in Indian philosophy and the connections with a range of other subjects, including sexuality and music. These connections I feel are of much importance and well worth outlining, but they're quite dense and the writing up process of my notes is daunting, tiring and very time consuming. I have nearly a quarter of a million words of notes I've put together in the last few years, sorted under the chapters below and I've only completed about six out of 64, though partially proofed sections are strewn throughout. I'm 39 and just kind-of not sure what to do with my time: there are many areas of knowledge and literature I'd like to expand my awareness of, but my work here is rewarding too, just that it would take years to complete and indeed few people will understand it...


Dionysiac
Introduction o Done

Exposition
The Veda
Self o
Unity oo
The Gunas oo
Dionysiac and Apollonian oo
Einstein and Buddhism oo
Psychology and society
The Chinese room oo
More and less oo
Ethics and aesthetics oo
Normative networks oo
Learning oo
Conducive culture oo
Democracy and postmodernism oo Order x1 x2 x3 Done
Digitization and the media oo Order x1 x2 x3 Done
Loss of art oo Order x1 x2 x3 Done
Race
The West oo
Sexual repression oo
Thailand oo Done
Black Africa oo

Life
The Veda and sex
Unaffected relation oo
Self referentiality oo
Subject and object oo
Seduction oo
Proceeding along a line oo
Feminine denial oo
Have and had oo
Complementarity oo
Psychology ooo
Physiology ooo Done
Sex and death
Relative becoming absolute ooo
Pyramus and psychosis ooo
Pyramus and others ooo
Torture ooo
The Wheel ooo
Spirituality
Hinduism ooo
The Sun ooo
Christianity ooo

Art
The Wicker man
Foolishness ooo
Aesthetic line ooo
Music
The Nature of art ooo
Art music and other musics ooo
Repetition ooo Done
Minimalism ooo Done
Minimalism and academia ooo
Music and academia ooo
Tonality
Dionysian sound ooo
The Pythagorean tradition ooo Done
Consonance ooo
Modality and form ooo
Adorno and dialectic ooo
Adorno and autonomy ooo

Wagner
Critical distance
Peak of instability ooo
Closed thought ooo
Nietzsche and balance ooo
The Eroica ooo Done
Form by web ooo
Formal passion ooo
Holism and linearity ooo
Irrationality
Juxtaposition ooo
Bach, Beethoven and Strauss ooo
The Rite of spring ooo
The Case of Wagner ooo
Adorno and deception ooo
Tristan und Isolde
Art’s centrepiece ooo
Wagner and sex ooo

Tobias
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Posted 08/10/08 - 11:44 PM:
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The key is to compartmentalise. How long do you think a chapter is going to be, 20 pages minimum? That would put you to 1200+ pages. So what I'd suggest is either write short books, "The Veda and sex" for instance or write articles for philosophy magazines, anthropology, sociology etc and see how your ideas are received. Writing is difficult so I'd suggest first getting into the practice, claim some ideas as your in articles and then, when you have it more figured out comprise these books into a big work. For instance "The Dyonisian in music, erotica and philosophy". You can trace the outlines of the idea of the Dyonisisan in history and across cultures.

As for it being worth it.... well that depends on who you want to be. If you want to be aphilosopher, then I guess it is worth it. If you want to make a career as a car mechanic I would tell you to go fix cars instead.

Good luck.,

Tobi

"The Power of Kant compels you" "The Power of Kant compels you" "The Power of Kant compels you"
Sean McHugh
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Posted 08/11/08 - 12:24 AM:
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#3
Many thanks Tobi- just to read someone's thoughts is great. Today for instance I've had to myself and I've done other things, learnt a few things, but not sure if I shouldn't be more focussed on what I have an aptitude for and make my own contribution. (The chapters are an average of 4500+ words long, though tend to get longer when I work on them.)
Tobias
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Posted 08/11/08 - 12:27 AM:
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#4
It seems to me you need a structure. What is your question with the book, what do you want to tell us?

"The Power of Kant compels you" "The Power of Kant compels you" "The Power of Kant compels you"
Sean McHugh
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Posted 08/11/08 - 03:42 AM:
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Tobias, well one of the issues with Vedic tradition thought is its combination of linear with strongly holistic form, meaning that though the order of material and its logical justification is important, the final premises are transcendental, or intuitively justified (rather than being culturally and relativistically located as in the epistemologically post-foundationist West). Thus the content and its justification are in a sense less perspicuous- though to the informed reader, more perspicuous for avoiding architectonics and finding truth at every point. Et cetera.

So I'm trying to illuminate various links between various Indian principles (though they're not principles, or concepts), chapter by chapter but I guess there's no overall thesis. Some of what I have is more straightforward though and includes some essays prepared for the academia.

I can post stuff for you, but the lack of affinity people find with this stuff, in the lost West, is a common response...
Sean McHugh
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Posted 08/11/08 - 03:50 AM:
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And actually there's a bit more structure in the order of chapters but I've lost that in the copy and paste process here...
Tobias
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Posted 08/11/08 - 02:46 PM:
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Well you can write about vedic philosophy. But you are still a westerner. It is the tradition you grew up with and you know its rules. I would say stay in a western format for now and try to master it. You can't break out of the perspective until you have experienced where its limits lie. Than venture out to others. But by all means post to me what you wrote, maybe I can take a look at it?

"The Power of Kant compels you" "The Power of Kant compels you" "The Power of Kant compels you"
Sean McHugh
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Posted 08/11/08 - 05:04 PM:
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Well I posted some stuff on musical minimalism a while back-

http://forums.philosophyforums.com/threads/indian...

Do you know what the current overall state of thinking is in the Western tradition now, following the demise of rational/ empirical epistemology? When I was a student academics still didn't want to be relativists: the vague idea was that truth is located in a culture or way of life, or presuppositions about life, and not intellectually transparent propositions, but then cultures it seems are always arbitrary... I always thought philosophy was confused and always amazed at academic's lack of familiarity with the Indian tradition.
Tobias
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Posted 08/12/08 - 12:36 PM:
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Ahh, well I can give you some feedback, but not much since I didn't read through the entire post yet. That isn't easy too, because you lose your readers in the beginning.You post is very interesting and I am exploring such themes myself. Well not music and sex, but philosophy and sex. So I am interested, but what do you give us as a first line:

"Stillness and self-reference are the nature of the absolute, consciousness and the field of the gunas and its logic that interfaces with the relative: the unitary absolute relates only to itself, contrasting with the relative, or the relative’s relative value, which relates to other elements of the relative. Repetitious processes in music provide key expression of and access to the absolute by isolating the aesthetic or the gunas’ logic, in giving the representation back to the attention before it has chance to try and necessarily fail to reconcile or make sense of it rationally: instead of relating one element to another the mind is flooded with reality, purity and sense of ecstatic drowning as the intellect gives way to spiritual devotion. Postmodernism’s concern for surfaces and homogeneity in place of traditional depth structure, teleology and narrative provide an important base for repetitious music, particularly minimalism: the incredulity towards overarching principles or authority from without parallels the contemptibly, laughably misplaced activity of the intellect working with relative relations without absolute reference, and its resulting structures. The intellect needs only alignment with the intuitive aesthetic- depth is in fact to be found in surface, not on it but within it."

The mistake you make here from a philosophical pont of view is that you jump face first into the matter, without exploring your terms. The absolute on the first line .... but not any referewnce to what this absolute refers to. I know that is a damn difficult concept, but all the more reason to treat it with very much care. It is nigh unintellibible and that is partly because you use your terms rather contradictory. Firstly you say that the absolute relates only to itself, ok, with my background in continental phil. I get that, but than you say "contrasting with the relative"... but contrasting is also a relation and so the absolute relates to the relative.... which happens to relate to "other elements of the relative".... Now I am utterly lost. I am lost because you didn't define any term.

Also here: "instead of relating one element to another the mind is flooded with reality, purity and sense of ecstatic drowning as the intellect gives way to spiritual devotion. "

Being flooded with reality? You seem than to presuppose that the mind is not now flooded with reality. So there is some dychotomy between absolute and real and relative and unreal, at least how I understand what you want to say. But you hold them as fact, as if this is undebatable, but you will find many that will say, "what are you on about?". If you introduce dychotomies of that order, you should make them explicit, set forth what your presuppositions are. Otherwise people will not be able to follow your reasoning. Not this sounds harsh, but it is not intended like that. I see very intriguing thoughts in your post and I think you are on to something when you relate Pmo's preference for surface with minimalistic music. That alone is an interesting thought. But you go on and raise a whole book of issues. Than you create a swamp. So also here the key is to compartmentalise. First establish for instance your link between pomo surface and repetitive music. Than connect it to sex, then introduce something like an absolute. Now you throw your readers immediately in the deep end, but then they will drown.

Western style is not intuitive and I think rightly so. I don't know if we talk of the same absolute, so first we must know what we are talking about. Perhaps a whole new way of looking at things is possible and maybe you can elucidate this new way of looking at it. This won't work by utilising it yourslef though before you have made your reader partial to it. So you will have to work in a western style, trying to force your way in a new more intuitive or aesthetic style. Not because you say wrong things, but because you will not be understood otherwise. That is problematic if you want to rtell something and you do otherwise you wouldn't have written it down. So to me it seems a question of technique. Master a crisp analytic style before you can become speculative.

I will read the rest of your post with much interest,. because I do really like it.

kind regards

Tobi

"The Power of Kant compels you" "The Power of Kant compels you" "The Power of Kant compels you"
Sean McHugh
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Posted 08/12/08 - 07:41 PM:
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Hi there Tobi, thanks for that. Well I know the opening, without any proper introduction, is daunting though there are earlier chapters which will make some of the ideas a little clearer.

Firstly you say that the absolute relates only to itself, ok, with my background in continental phil. I get that, but than you say "contrasting with the relative"... but contrasting is also a relation and so the absolute relates to the relative.... which happens to relate to "other elements of the relative".... Now I am utterly lost. I am lost because you didn't define any term.

Yes. One major issue to explain of course is how the absolute or Self can exist and not be meaninglessly abstracted or isolated from the rest of reality, which is I think the Buddhist response, leading them to relativism. The great achievement of Hindu thought is that the absolute underlies the relative so that it's what everything ultimately is, and there are no important gaps to bridge- a colossal monism consumes everything, this Brahman also then undermining the absolute-relative categories which provide a contrast or duality as you suggest.

Regarding the notion of the relative being unreal and the absolute the real, this relates to central ideas about states of consciousness, the first important one of which is the 5th, where the absolute or universal Self is experienced in the mind and is seen to underly all relative thought: relativity makes ultimate reference to the absolute despite being perceived as different to it in 3rd (ordinary waking state). The speed of light in Einstein's theory is a similar absolute backcloth that is established before the realm of relativity can be discussed, and contrasted with.

I understand and expect your objections about clarity, and I do well know how to write in the way you're expecting, but it doesn't trouble me. The Bhagavad Gita or summary of Vedic thought (which isn't conceptual thought) is almost impenetrably holistic, similar also to Wagner's music or art generally, or sexuality, and other phenomenon I'm interested in. In fact I'd very much argue that it's ultimately the attempt to delineate basically integrated experience that is at the root of the appallingly confused state of Western philosophy if not life there generally.

Drowing of course is exactly the right concept, a concept to destroy lost discursive thought and find the light... Obviously it's got to have a progressive sense but we should already know that linear thought based on ungrounded and ungroundable principles isn't the way to proceed: holism leads to real understanding that lies beyond the sum of its parts, the source of understanding or the Self.

Anyway I do have some thoughts on sexuality as well-
Sean McHugh
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Posted 08/12/08 - 07:47 PM:
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http://forums.philosophyforums.com/comments.php?id=30281&findpost=498520#post498520
Tobias
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Posted 08/13/08 - 12:11 PM:
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Well, the absolute and relative problem is an immense problem possibly underlying the whole of Western metaphysical thought. If you talk to westerners, you can't do away with that in a paragraph. But ok, I get that you would elaborate further in earlier chapters. I would advise to because philosophy is nothing else than giving account of the use of one's terms. The question is not wat is really real, but what are the categrories by which we grasp what is real.

Philosophy is critical, you can also not accept that fifth or third stage of sonsciousness as a given, it is constant self disturbance. Problem with the way you write is that it is not philosophical, but the realm of the prophet or guru. Nothing wrong with those professions, but t is not philosophy. As a guru you can drown people, but as a philosopher you give branches to escape the water.

In the western tradition there is also great metaphysics, Look into Spinoza and Kand and Hegel. They were all great metaphysicians, but also thinkers who very rigorously examined their own terms. I'd recommend it because Western thought can't be that confused, it is written by people very wise and clever, so take nte of their ideas and combine them wth what you know of the hindu tradition. Nothing wrong in making that tradition your spear point but if you want to write so that people in the field can read you and will gain something from it, you'd have to make explicit where you come from and what questions Vedic thought can elucidate better than aformentioned thinkers can.

Be careful of wipng a whole way of thinking from the map. Because those bold claims of confusion will have to be matched by pure clarity from you. So take small steps instead of rushing.

regards

Tobi

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Sean McHugh
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Posted 08/13/08 - 08:09 PM:
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Tobi, if you're lost in categories you'll never find a way out- you've already limited the extent of your understanding before you begin to think. And thinking is your real problem: thought lies above truth and can at most parallel it- we have to be the truth, not try to write it down or foreground it intellectually. The idea of perspicuity in truth is the disaster of Western thought generally and as I say has already been discredited by philosphy's own epistemological collapse: this is such a major event you seem like many people to have just ignored it so you can persist with other lines of enquiry but with the same problems in the background of grounding the knowledge.

Meaningful criticality issues from the level of truth, not from itself in endless circling nonesense and castles in the sky. You seem to think philosophy and its standard dialectical progression leads to answers- yet philosophy has answered almost nothing- your faith is completely misplaced and wrongheaded, and systematically excludes the possibility of understanding.

I've studied the figures you mention, and each of them of course grounds knowledge in the transcendent, and which goes beyond the intellectual terms of their work on paper- that's why they're good thinkers.

Yours Sean
Tobias
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Posted 08/15/08 - 10:52 AM:
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I think I can understand wat you are getting at, but I think you are barking up the wrong tree for answers. At least philosophically. I don't think you can circumvent the epistemological trap by just assuring vedic philosophy is right. You seem to argue for intuitionsim, but that is like asking for a deus ex machina. How do you know your intuition is right? Of course you can link such transcendence to the body or to concrete existence or indeed to music. There are Western philosopohers notably within phenomenology that do so. But I think you can't escape account giving. Well you can escape it by just refusing to play the game, which seems what you are arguing for. But than still of your own terms you fail because what is the worth of vedic philosophy then? You chose it because of a reason and so I think we should be privy to that reason. But if you give it you fall into the epistemological trap.

If you ahven't done so yet, check for instance Henry who likes to develop a phenomenology of the body. But I think you are after something else. A different philosophy not located in cerebreal meaning giving, but in the boyd and its ground tone. Well that is possible and I think a great enterprise, but then your acceptence of vedic philosophy, without accounting for it will only hold you down, at least I think it does. Because you would have to accept it uncritically.

I see you are banned. I regret that, because I would have liked to continue talking. It will not be for this discussion in any case.

Take care,

Tobias

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Posted 08/30/08 - 01:29 AM:
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I find it easy to write when I'm in some place where I absolutely cannot be distracted by something. Like while riding a bus for example. Sure I can look outside and see what's going on there, but that's inspirational over distracting. I take my little notebook, and my tiny little philosophy book, summarising the greatest philosophers in history, and take an idea from it and start playing around with it, writing comes on it's own like that because you are urged to put every thought you have on to your paper without hasitation. This makes for a really honest and direct philosophy.

That's the way I do it anyway. But then again, I am only an amateur with no degree or what so ever.
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